Guide
Back to guidesA moulded chocolate is shaped in a polycarbonate mould, not cut from a slab. Tempered chocolate is deposited into a warmed mould, vibrated to release air, cooled until it contracts, and turned out with a clean snap. Every step has to be in time with the temper, or the piece sticks, blooms or comes out with bubbles.
Two families cover most products. Shell-and-fill builds a hollow shell, fills it (praline, ganache, caramel) and caps it with a chocolate bottom. One-shot deposits shell and filling at once through a concentric nozzle — fewer steps, faster, but tighter on matching recipe and temperature between the two masses.
Shell-and-fill is flexible: any filling, a clear separation between shell and centre, easy recipe changes — at the cost of more stations (deposit, spin, cool, fill, cool, bottom, cool). One-shot is fast and compact but demands that shell and filling behave together: similar viscosity windows, and a filling that does not break the shell temper. Forcing one-shot onto a praline range with delicate liquid centres, or shell-and-fill onto a plain solid bar, is paying for the wrong machine.
Two unglamorous details make or break gloss. Mould temperature: a mould more than a couple of degrees off the chocolate shocks the temper at the wall and dulls the surface, so moulds are pre-warmed close to the chocolate. Vibration: after depositing, the mould is shaken to drive trapped air to the surface; too little and the face is pitted with bubbles, too much and thin shells thin out unevenly. The shaker is not an add-on; it is a quality tool.
Chocolate releases from a mould because it contracts as it crystallises — typically less than a percent, but enough to break contact if the temper and cooling are right. Get either wrong and the piece grips the mould: you tap it, lose gloss, crack centres, and demoulding losses climb. A correct line cools in zones and demoulds at the moment of maximum contraction, not on a fixed timer that ignores recipe and ambient.
Demoulding is the exam the whole line sits: if the piece does not drop out clean and glossy, the fault was upstream in temper, mould heat or cooling — not in the mould.
Buying the depositor and skipping mould pre-heating and a proper cooling tunnel — surface defects and demoulding rejects that, at a few percent on a line doing hundreds of kg/shift, are tonnes a month. Forcing one-shot onto a filling range it cannot hold — constant rework. Running too few cooling zones to save floor space — the line either slows to let product set or demoulds too early. Mould stock is a cost few plan for: polycarbonate moulds wear and scratch, and scratched moulds show on every piece.
A moulding line is a chain of timings — deposit, vibrate, cool, demould — all keyed to the temper. Get the timings and the mould temperature right and the depositor's precision finally shows on the shelf.
Guide
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